Terminated places with their absence of a priori or a posteriori information within their surrounding context create a vague sense of displacement. 

Ulay's Zone images attempt to set up a new periphery for the uninhabited domain by deconstructing the assessed transcription and assigning it to a new location. The synthesizing of the image sequence on the three split frame format seeks to restore partially the unknown qualities of the referent while it also disrupts the reading continuity in which the fragmented access of the reality echoes the remote local percept, replicating the alienating effect at the outset.